![]() Middletown, CT: Wesleyan University Press. La mosca tras la oreja: de la música experimental al arte sonoro en España. Barber, Llorenç and Montserrat Palacios.Sound Sculpture: Intersections in Sound and Sculpture in Australian Artworks. Minneapolis: University of Minnesota Press. Noise: The Political Economy of Music, translated by Brian Massumi, foreword by Fredric Jameson, afterword by Susan McClary. "Panorama del arte sonoro y la música experimental en la Península Ibérica / Outlook on Sound Art and Experimental Music at the Iberian Peninsula", in Experimentaclub – LIMb0: proyecto iberoamericano de intercambio artístico y cooperación cultural, Javier Piñango and Jorge Haro (eds.), Madrid: Experimentaclub, pp. ![]()
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